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Martha Berry writes to Mr. Edwards telling him of the 34th anniversary of the Berry Schools, where a bust of her will be unveiled. She tells him that he could be picked up in Atlanta and could stay at one of the pleasant guest houses that Berry has to offer.
Martha Berry lets Mrs. Cresson know that she does not have the money for the portrait at this time.
Berry tells Carlson that she has let Margaret French Cresson know that she lacks funds and time to continue with the portrait bust. She will work on getting a lower price for marble since Mrs. Inman has said they could not afford marble columns.
Ms. Cresson writes to Miss Berry to inquire about the portrait bust scheduled the previous spring. She tries to confirm an appointment with Miss Berry between both of their busy schedules.
Mrs. French asks Miss Berry to make an appointment with her daughter, Mrs. Cresson, about her portrait bust.
Mrs. Cresson writes to Miss Berry about her charges for a portrait bust.
Mr. Carlson writes to say that he is glad to hear from Miss Berry and hopes that all with her and her niece is going well. He also asks if Miss Berry has sat for her bust.
Mr. Carlson writes that he is glad that Miss Berry will use Mrs. Cresson for her portrait bust.
Miss Berry writes to Mr. Carlson to inform him that she feels Mrs. Cresson is a good choice for her portrait bust.
Miss Berry writes to Mrs. Cresson about the portrait bust and makes arrangements for the sittings.
Margaret French Cresson writes to Coolidge and Carlson about collecting pictures for them and about doing a bust for Martha Berry.
Artist Edwin H. Blashfield writes to architect Harry J. Carlson that he prefers Margaret French Cresson as a sculptor for a portrait bust, but also recommends Tom H. Jones, Walker Hancock, and Edmond Amateis.
Architect Harry J. Carlson encloses a letter, apparently from muralist Edwin Howland Blashfield, providing advice on a bust of Martha Berry. Blashfield evidently suggests sending photographs to be used in creating the bust, and Carlson offers to give his own advice about choosing a sculptor.